Showing posts with label Paul Louis Villani. Show all posts
Showing posts with label Paul Louis Villani. Show all posts

Wednesday, March 5, 2014

Afraid of Beauty

Why on earth should I of all people be afraid of beauty?

I have always been drawn to, enchanted and impressed by images of idealised women, attracted to elegance and the aesthetic and have found myself at times intimidated by other women's beauty.

My more than 25 years as a fashion designer required the constant ingestion of glorified beauty in the form of fashion models, icons and art. Seeing women portrayed as objects of arresting beauty and at times sensuality has filled me with inspiration and sheer enjoyment from when I can remember.

The discovery of my very real fear of beauty has been and was a very confronting experience that I am still struggling to reconcile.

During a shoot a few years ago for my own range two of my models left due to other commitments and time constraints leaving me with only half of my range photographed. I still had my location, half a range, my hair and make up artists and the photographer for the rest of the day. With much prompting and with the lead of a confident friend stepping in I found myself stepping in to model my own work. This is something I have never envisioned or have been inclined to do and found it a very uncomfortable experience.

You can see my Deer in the headlights here.





I was asked to model often when I was young but so painfully uncomfortable on the one occasion I was convinced to try that it did not work, my akwardness was evident in the images. I was embaressed this left me even more determined never to entertain the idea again.

It was while collaborating with a number of creatives that I began to move into styling for various events and came to see photography as a form of self expression. This is where my inroversion began to fall away.




These images were taken by the talented Paul Louis Villani we have worked together on a number of occasions producing collaborate work. Paul's approach enabled me to explore the experience of being a conduit for the sake of expression and art.

This sparked an ongoing interest and love of morphing in front of the camera almost always being in character while being shot. What I found most interesting was however was the dislike, insincerity and discomfort I felt when I saw what might be perceived as beautiful images of myself. I would find myself writhing with psychological and emotional discomfort.

At first I thought it was about humility and a lack of vanity that led me to feel on edge about being portrayed as beautiful. 

It made me feel fear and over time it made me realise I was afraid of beauty.

The sexuality, power, beauty of others, the many models I know and have friendships with, the icons I love and admire, the likes of Sophia Loren and Monica Bellucci I lauded. I admired their force and confidence, but I lacked their power. Beautiful images of myself left me feeling objectified and compromised. I would dismiss any kind comments discouraged discussion and currently have a large cache of unreleased material taken by many photographers including the very talented Paul Vanzella .

Why was I afraid of beauty when for others I am happy to embrace and encourage it?

Well there were a number of obviously apparent reasons.

  • I felt the representations unrealistic.
  • There was a fear of perceived vanity and self indulgence.
  • I felt people might be disappointed by the real me.
  • The concern that the images do not relate to my character and could lead to assumptions about who and what I was about.
The list goes on...

I thought somehow it might work against me.

Why was I so reluctant to reveal these images of myself?

Initially I thought it was due to my lack of vanity or need to be validated. I didn't need it it was unnecessary. 

A few weeks ago I began to explore for the first time the 'self portait'. Involving a series of images (yet to be released) parodying female stereotypes called 'I AM YOUR SEX THING' my intention is to make a strong statement about how women deliberately wear guises designed to entice, enhance or impress and bring to light some of the absurdity of what we as women continue to promote. I am in the process of creating more characters and will be launching the already approved Pozible campaign to facilitate the project within the the next eight weeks with a view to stimulating discussion and awareness. 

The Facebook page can be found here

The characters are given numbers not names and this helps me to create distance and quantify the sex thing with objectivity.

#1
#2

While I am excited about the project and keen to fully realise it has made other issues rise to the surface. I consider women who embrace their beauty as incredibly brave I saw it as risk, as dangerous.

Then it hit me...
In my experience being an attractive girl or woman can lead to an attack. It has served to diminish not empowered me, this has been due to the beliefs and experiences of my past. I very recently experienced a regrettable encounter that made me aware of a pattern that had through out my life from with large spaces between, from my first kiss to my first sexual experience punctuated by what might be considered mild or exteme transgressions. I was unprepared for all of them, I was targeted, fixated upon and pursued. I have had my boundaries crosses by people that have left me blindsided by the events resulting in the internalisation of the experience. While I have never been subject to violence I have been sexualized and had physical experiences forced upon me against my will in varying degees. Most times it was embellished with praise for my looks. Inappropriate and unpleasant experiences leaving me feeling shame. A very destructive emotion - thus my Fear of Beauty.

In this modern landscape sex is a commodity, modesty is rare, self censorship is exercised less and less, in our more liberated society the world is always hungry for more. Understanding why I wasn't hungry for more has lead me along a long complex path of recovery.

So now I hope that with the right lighting and best angle I will no longer be afraid of being beautiful.



Tuesday, May 29, 2012

:::Mr Burns Mates with the 50 foot tall Woman!:::

Imagine a giant, glowing, lumbering presence walking across your city.

Think Attack of the 50 Foot Woman / Mr Burns when he was radio active repeating 'I love you'... over and over again.

Today that's effective marketing.

Its stunning, slightly absurd, large, enters on a large scale and you cant ignore it. The gigantic penetrative Marketing Campaign.

Today's marketing needs an edge. There is on on going cut and paste derivative trend;

Hokey folkey warmpth, soft edged marketing. Think Sportsgirl, Portmans, Cocolatte, even Johnston and Johnston are going that way, from pasta to car manufacturers spouting tales of generational allegiance to their brands including Barilla and Volvo.

Cocolatte - I don't think these girls were at Woodstock.
Then there is the twee self effacing campaign think iinet and Buzz Insurance.
Does mocking yourself/the company make the campaign more successful?


Pre on trend Viral marketing, online social networking positioning, Hipper than hip so now it hasn't happened yet and very individual...to see a hard copy version the free VICE magazine Melbourne it is a perfect example of this niche platform and can be found at indy haunts and cafes. For the informed its blatant and completely transparent - I am sure it works.

What is interesting is that it all still leans heavily on the visual. So the Artistic Director and Photographer are pivotal - so some things don't change.

There is the sound bite that can rocket an unknown artist to stardom - anything associated with an Apple product is testament to that big. Brand + tune  (hand in hand) = a vertical market. Sure the multi faceted campaigns have to hit the mark from every angle but god what a perfect trade it creates.

So lets face it we all have to be a bit of a 'Radioactive 50 foot tall Mr Burns hermaphrodite' in the ad sense these days. The world just keeps getting savvier and the white noise of commercial competition louder, deafening us now. So how does one stand out from the crowd?

I might take a swan dive off the perceived common reality board into an altogether unplumbed depth... called genuine sincerity.
Image from a very personal shoot I directed with Paul Louis Villani a brilliant photographer

Currently I am marketing myself as a brand here on my blog and what is my Unique Selling Proposition?

I rely on two plain and simple rules: 

  • I mean what I say and say what I mean. 
  • The content is genuine its my own perspective.
We all have a unique set of reference points that we filter everything through - as do businesses, companies, and or individual staff / departments that purvey the message.
Not quite 50 feet tall in a gown I have made.

We know and hear sincerity on a very base instinctual level - even if it is in the guise of super slick marketing, sometimes we get it - it gets us in reality and the bond is set.

Otherwise its just white noise.

Image reference for last two photographs here

Friday, July 8, 2011

CHANGE vs FEELING SHORT CHANGED

Change vs feeling short changed...lets start with change, the changes that occur as a result of simply being human, human development takes place largely unbeknown to the individual during life's early stages. A child learns to reach, sit up crawl, walk and speak within the first 2 years of its life although for the most part the individual is completely unaware of the giant progression and leaps taken forward in this nubile stage. The childhood years and teen years are full of milestones we are all aware of from reading and writing to physicality and rights of passage, running races, ticking off each school year and phase - again all vast and broad changes and stages of development mark these years although during this time we are much more aware.

Change in adulthood...I always touted myself or thought as myself as an individual who embraced and welcomed change, and for the most part I have even when the cards did not play out as anticipated I brightly took on what I was dealt good bad or indifferent. Now people I am by no ways a fatalist I am definitely a determinist which leads me to the resistance I am feeling in changing at present, or dually present frustration at not changing fast enough.

Being aware of change, initiating it, pushing for it is all fine and good but sometimes life and our brains are resistant - thus the rub...a comfortable rut.

So what leads us to true change, even minute?
Feeling short changed : That discomfort the grit, either it gets the better of you or you use it for impetus to change. I have personally witnessed individuals that have let a knock back or knock on their tail mar them permanently. 'It was all good till'...'If only it had have gone my way'...etc. Just as I have known persons with mammoth burdens and life challenges to have great bright spirits and get on all the same. So what about us mere mortals with only the self to instigate the change either we get comfortable in the discomfort and have an unhealthy relationship with  the resentment it builds within or we action the desired change. Behavior is so clear and easy to speak of until the heart and mind meet bringing us to emotion.
The 'rub' needs to be of enough discomfort or the change is rewarding so that we move towards it without resistance, so why when this is true do we sometimes waste time and rob ourselves, short changing ourselves of the benefits of positive change? I think its the rut, the hammy wheel, the wind is breezing through our little hamster feet and we feel we are moving, such effort, around and around, stepping of requires a wee leap of faith, but I imagine the hamster me landing then rolling and and writhing the spine back and forth like a dog face up on the lawn, then perhaps some bounding, tongue lagging out the side of the mouth happily panting after it, so I am morphing from hamster to dog - stick with me.

I have certainly had enough 'rub and grit' to require change so I will continue to embrace change and sometimes have to accept its sluggish rate.

This portrait of me taken by a talented friend - its more about reach, the pose, the tentative balance, the metal stretch. Perhaps this is required so we do not short change ourselves.

I will bend over backwards for myself like I used to for others and I will make the changes for me...so I can better embrace life. Amen.

Thursday, June 17, 2010

PAUL LOUIS VILLANI and Myself : The Collaboration

Sometimes in life you have one of those fortuitous meetings and may I say meeting Paul has been very much that, over the past couple of years I have had the great pleasure of working with Paul on a number of projects. Initially I was drawn to his incredible masculine Train series of art with beautiful streams of color and movement then his take on industrial landscapes and of course his stunning take on women. His full port folio can be seen and purchased as cards, framed prints and Canvases here: Paul Louis Villani : Photographer

ASTOR THEATRE MELBOURNE

At the Astor Theatre Paul and myself teamed up - working with Paul is always a pleasure, his skill vision, technical ability and talent creates exceptional work.

The Heartbreak Series....




WHEN IT COMES TO RIPPING YOUR HEART OUT...



This was a quick from concept to completion shoot with all post work by Paul.

Items from my range modeled by Bridget of the Croft Institute. I love this image.